A Year of Books

Too many books, too little time.

This realisation will haunt me to my grave. I’m constantly adding titles to my ‘to be read’ list in the full knowledge that I can’t read fast enough to keep up!

That’s why I have to be very selective and only read books that I feel confident won’t be a waste of precious reading time. I make my choices based on reviews featured on literary blogs, magazines and word-of-mouth recommendations and unlike previous years, this year I’ve not abandoned a single book. The fact that I finished all 55 books means I rate them but some more than others which means they don’t earn a place on my bookshelves. I love books but I also love space. This means I don’t want to clutter up my home with bookcases everywhere so when I moved to this house seven years ago, I bought two bookcases and decided on a ‘one in, one out’ policy rather than having to add more shelving. The books that don’t make the grade get donated to the charity shop or passed on to friends and only very few books keep their place on the shelves permanently.

Some of these retain their spot for sentimental reasons such as the signed copy of Vernon God Little by DBC Pierre. He came to give a masterclass when I did my MLitt so the book has happy memories of a year when I immersed myself in books and writing. Favourite authors have been awarded a whole section when I’ve read several of their books. I have all 7 titles written by my close friend, Karen Campbell, whose latest novel, The Sound of the Hours, came out this year and will always be guaranteed a space in my bookcase. If you haven’t read it yet, make sure it’s on your 2020 tbr list – I promise you’ll not be disappointed!

Looking at the list of 55 books, like last year, I notice that I’ve read a few memoirs. My default setting is cynical, and I think that’s why memoirs appeal to me. Sometimes fiction novels can be too farfetched for me and I like a story based on true life or an insight into someone’s world.

I’m also drawn to shorter novels. If a book is a doorstopper it puts me off. I like to read a different book every week so one that will involve a couple of weeks reading time is a big commitment. I read Becoming, Michelle Obama’s chunky 400 page memoir and although I found it interesting and inspiring, there was far too much detail for me.

Stand out books of the year? As always, it’s hard to pick only a few but the ones that have secured their place in the bookcase alongside The Sound of the Hours are: –

You Will Be Safe Here by Damian Barr

My Sister, The Serial Killer by Oyinkan Braithwaite

Olive, Again by Elizabeth Strout

Leonard and Hungry Paul by Ronan Hession

An American Marriage by Tayari Jones

 

Which books would you suggest that I add to my 2020 tbr list?

Grey Hair and Graduation

Me, praying that I make it back to my seat without going head over heels down the stairs.

Twenty two years ago I graduated with a BEd in Primary Teaching and never for one moment expected to graduate again for a second time.  But last Friday, I was strutting across the stage of the Albert Halls (no, not THE Royal Albert Hall in London) in Stirling to receive my masters degree in Creative Writing. With Merit!

This time around I had a new surname (pronounced incorrectly at the ceremony. Grrr!!!) was much heavier, with wrinkles round the eyes and straight from an emergency hairdresser appointment to cover my grey haired roots. And yet, I still felt great.

There was a fantastic atmosphere at the ceremony and the Chancellor of the University, Dr James Naughtie delivered a thought-provoking and inspiring speech about his recent trip to Delhi where he encountered young children living in extreme poverty and yet they had high ambitions for their future careers.

Soppy caption alert! “Without your unconditional love and support, none of it would have been possible…”

It was a timely reminder for me that I am very lucky to have had the financial and the emotional support of my long-suffering hubby which allowed me to pursue my writing goals. He has been there for me every step of the way and almost never got to see me graduate when I somehow managed to lose his golden ticket for the ceremony, only to reclaim it at the ‘robing room’ with minutes to spare!


So now I can call myself Helen MacKinven BEd MLitt but I’m still wondering what I want to be when I grow up. When I left my day job to commit to the MLitt course full-time, I was never under any illusion that the qualification would lead to an amazing job in the literary world. But I did hope that it would mean that I could gain the credibility to call myself a proper writer, whatever that means.

My writing buddy, Anne Glennie likened the MLitt course as a sort of ‘kite mark’ for your writing skills in that it indicates a certain level of quality. Of course it doesn’t mean that because I’ve completed a uni course that I’m a better writer than someone who doesn’t have a formal qualification but it does mean that my effort to develop my writing skills has been professionally recognised.

The MLitt course at Stirling University was recently featured in the Herald’s Scottish Review of Books where the course was described as “taught by writers for writers”.  This was one of the highlights for me as the course was led by award-winning fiction writer Paula Morris and during the two semesters I had the opportunity to learn from Andrew O’Hagan, DBC Pierre, Linda Cracknell, Eleanor Updale and Ewan Morrison. There’s no way that I would ever have had the chance to engage with such talented individuals so for that reason alone the course was invaluable.

But where to now? Getting the degree was the end of one chapter and the beginning of another. I’ve got the official rubber stamp to prove that I’m serious about my writing, it’s more than a hobby for me, but that doesn’t mean that I have a new career, well not yet. Like most other writers, I need a day job too and after a year out to indulge myself in pursuing my passion, I need to strike a balance between time for writing and contributing to the household income, well at least until I publish that best seller I’m working on…

Writing and Giving Yourself the Freedom to Fail


It was a big deal for me to sign up for the MLitt course and I was full of self-doubt before I arrived at my first class. The fear quickly faded by being amongst a group of supportive fellow students and enjoying every week of a well-structured meaningful course. I’d made the right decision BUT…

What if my work isn’t good enough? What if my submission is ripped apart in the workshop? What if I don’t do well in my assignments? What if my family and friends think my writing is rubbish? What if I can’t make it as a writer? What if? What if?

There’s no end to the list of insecurities! I don’t think a writer is ever free of self-doubt. It seems to come as part of the job.

But if ever I needed a boost, the visit to uni this week from the award winning writer DBC Pierre was inspirational. In 2003, Pierre won the Man Booker Prize for his debut novel, Vernon God Little. Wow! But how did he manage to win the world’s most important literary award?

A contemporary The Catcher in the Rye
    

Anyone who’s ever heard of him will know that his juicy life story is as interesting as any of his novels. But for Pierre, the positive side to hitting rock bottom meant that no one had high expectations of him and he was free to fail.

No one likes to fail and it’s hard not to be your own harshest critic. My internal editor is always sitting on my shoulder and instead of just getting the words down on paper, I constantly go over my work getting hung up on every sentence. And then there’s the expectation of others.

When I told my mum I’d finished my first attempt at a novel. She told her friend. And a week later her pal phoned my mum to ask why she couldn’t find it in Waterstone’s!!




No pressure then…

Pierre’s key message was to give yourself the freedom to fail. He wrote the first draft of Vernon God Little in a stream of consciousness in five frenzied weeks. But it took several drafts and many months of sifting through the original material and reconstructing the writing to create a phenomenal novel.  Everyone needs TIME to experience failure before they can achieve success.  No artist uses watercolours for the first time and has the painting hung in the National Gallery.  It takes years of hard slog to achieve such glory- just ask Jack Vettriano! I know now that I need to give myself permission to produce crap and then keep writing in order to get better.



At the book signing, Pierre wrote on my copy of Vernon God Little,
“Be free to fail- only by staring into that abyss can we write!”

No excuses left now…