Reading Like a Writer

I’ve mentioned previously that Reading Like a Writer by the aptly named, Francine Prose was one of the best set texts from my MLitt course. It taught me how to have a better appreciation of what I read but the one downside is that I now find it hard to switch off my writer’s eye when reading a novel. This means that I’m constantly analysing the characterisation, pace, POV, structure etc and failing to lighten up when I’m supposed to be reading for pleasure.

I wish I could buy the body to go with the T-shirt!

The result of this critical approach is that I’ve just given up on my 4th book in a row. My reading habits have changed over the years. I’ve always been an avid reader but for some unknown perverse reason, I made myself keep reading a book until the end whether I was enjoying it or not. I doubt if I’m alone in suffering from this affliction but somewhere along the line, I had an epiphany (just for the record, there were no angels involved or speaking in tongues, and it wasn’t after a few large voddies) that life is too short and my ‘to-be-read’ pile is already too high to bother sticking with reading books I don’t like.

This new ruthless approach has got even tougher in the wake of a house move and the knowledge that my TBR pile would either have to be read quickly or packed and carted off to my new abode.  Several books had been gathering dust on the TBR pile for various reasons, and many had made it on to the list due to being classed as a book I felt should read (but who says so and why should I care?).

The first one to be tackled was Lanark by Alasdair Gray. This book is hailed as a modern classic, Glasgow’s Ulysses, but I’m not embarrassed to admit that I just couldn’t get my head round it. The semi-autobiographical parts based in Glasgow appealed but the surrealism of Gray’s vision of hell was far too sophisticated for my wee brain. The next couple of books will remain nameless, let’s just say I might cross the paths of these writers in the future and I don’t want to have to run and hide from them if I dared to air my feelings publicly .

The queen of ‘tragi-comedy’ writing.

After a hat trick of failed read throughs, I went for a safe bet. Even although I rarely read crime fiction, I love Kate Atkinson’s novels in the Jackson Brodie series, I really enjoyed Human Croquet and rate Behind the Scenes at the Museum is one of my all-time favourite books. The only one of her books I’d still to read was Emotionally Weird, so I felt sure that I was on to a winner, but I’m sad to say that for the first time ever, Kate let me down. For my tastes, the book seemed too self-consciously ‘literary’, with no plot to speak of involving unlikeable caricature characters and in no way lived up to my high expectations.

So I’m on to number five, with my hubby breathing down my neck to reduce the Everest proportions of the TBR whilst thrusting a packing case under my nose.  I’m quietly confident I’ll go the distance with this one, ‘Alone in Berlin’ by Hans Fallada, partly because I’ve got an interest in the Nazi regime of WW11, the city of Berlin and a love of novels based on true stories (which pander to my cynical nature).

But only time will tell if Alone in Berlin makes the grade and gets a hurl in the removal van…

Do you have a book that’s a permanent fixture on your TBR pile? Do you stick with a book until the end? Do you have a cut-off point? What makes you throw your book in the charity bag or even at the wall? And what makes a book worth packing to take to a new home?

Try telling that to my hubby!

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