Anyone who is a regular reader of this blog, or follows me on social media, will know that I’m a huge fan of Roddy Doyle. Paddy Clark Ha Ha Ha had a big influence on me as a writer and one of my favourite books is The Butcher Boy by Patrick McCabe. I also recommend The Good Son by Paul McVeigh which is another book by an Irish writer with a child as a narrator. It’s easy to spot the theme!
I enjoy reading and writing black comedy which features settings I can identify with and focuses on endearing characters. So perhaps it’s not hard to understand that when I was wearing my Cranachan Publishing ‘hat’ I was very excited when we received a submission from a new Scottish writer, Ross Sayers. His debut novel, Mary’s the Name, is told from the point of view of eight-year-old Mary and her story stole my heart.
The blurb explains why I wanted Cranachan to publish Mary’s the Name.
“When me and Granpa watched James Bond films, he told me not to be scared because people didn’t have guns like that in Scotland. That must’ve been why the robbers used hammers.”
Orphaned Mary lives with her granpa, but after he is mixed up in a robbery at the bookies where he works, they flee to the Isle of Skye.
Gradually, Mary realises that her granpa is involved. And the robbers are coming after him—and their money. Mary’s quirky outlook on life, loss, and her love of all things Elvis, will capture your heart.
Full of witty Scots banter, Mary’s the Name will have you reaching for the hankies, first with laughter, then with tears
Mary’s the Name is a very special book and needed a very special cover. My business partner, Anne Glennie, is the design guru and the pressure was on her to create a cover that lived up to the contents. Anne describes the process behind the final cover…
“The initial cover concepts all included child-like handwritten fonts for the title. As the narrator, Mary’s eight-year-old voice brings the text to life – it seemed to make sense to allude to this on the cover. However, despite several images and concepts, we failed to capture Mary’s energy. We then took a different tack, trying a more stylised cover. Mary loves music and plays her keyboard throughout as she hopes one day to become a concert pianist – so we mocked up several piano themed covers – and all agreed on a very simple, but striking, black and white cover depicting some piano keys. Then we left it to the side, to marinate.
But something wasn’t right. We hadn’t captured Mary’s essence – or any essence – the cover was too plain and too simple – it was definitely a case of style over substance. Covers need to intrigue or attract readers, to generate some sort of response. It was back to the drawing board – again! We reviewed the initial concepts with a fresh eye… and the image of Mary and her granpa by the edge of the sea under a stormy sky was the definite winner. It encapsulated the relationship which is central to the story, it provided a clear setting – and the storm clouds foreshadowed the events which would unfold. With a change of font and colour – we had a cover that we all loved. And the funny thing? We’d come full circle – choosing in the end the very image that we’d started with in the first place.”
We’re both chuffed to bits with the result and the main thing is, Ross is too! Here’s his response to the cover…
“We considered a lot of options, but I couldn’t be happier with the final result. I love the evocative landscape and the way the pink really leaps off the page.”
What do you think? Do you love it as much as we do?